martes, 31 de enero de 2012

Travis Louie : the art of humanizing beast portraits

"Art is the lie that enables us to realize the truth"
Pablo Picasso




Let´s go back to not too distant past... 1850s, the decade in which the photography began to have access to the public, not the cameras but having a photograph (better called in that times daguerrotype). That was a change in history since a lot of people could have access to have a portrait photography. That was the era of our grandparents´ grandparents. It is reminiscent of a past that is really connected to us in the sense that the first technology was available and the sense of nostalgic and closeness of that photographies.



You combine this love for that fantastic portraits with a love for sci-fi and fantastic films, creepy magazines and books and add a real sense of humour and mostly humanity... and you get a fantastic artwork by the creative and delightfully twisted mind of Travis Louie.

The last time I had dinner with some friends and showed them the surrealism pop / lowbrow original artwork I have hung in my walls one friend of mine was really pissed off that he couldn´t hang Travis Louie artwork in his living room because her wife wouldn´t permit hi
m to. I think that maybe at first glance when you get to know his impressive gallery of humanized misfits, widgets and animals he has in his catalloge you feel repulsion, but afterwards you get the kindness, softiness and humanity of everyone of his beasts. And it is also amazing the degree of mastery of his art and time devoted to paint the hair, moustache and furry feeling of his portraits and also the combination of acrylycs that lead him to get that old vintage photograph feeling.



I am really grateful for Travis Louie for giving me the chance to have an exclusive interview with him :

Which do you think are the main differences between pencil and oil techniques?
Oil painting is a medium that can be applied in many ways and has an almost unlimited range. I use graphite to design what I am going to paint.

Who are the artists that have influenced you the most?
There are many artists that have influenced me over the years. I can't name all of them here. I can list a few off the top of my head; Norman Rockwell, Maxfield Parrish, Alphonse Mucha, Vermeer, F W Murnau, Fritz Lang, Bougereau, Jan Van Eyck, Caravaggio, Dean Cornwell, Jehan Georges Vibert, Yoshitaka Amano, etc,

Which pieces of art do you own? Which artist are you willing to buy?
I like a lot of the work my make-up and production designer friends make. I consider them to be some of the most creative people working in the arts today. I would love to own originals by them. People like Chet Zar, Miles Teves, Jordu Schell, Steve Wang, Kazu, Carlos Huante, Bruce Fuller, etc,

What do you think about the low-brow / surrealism pop scene?
I must admit I don't like that the gang of artists that I've been attached to are called Low Brow or Pop Surrealists. I think those terms are misleading. Is there really anything "Low Brow" about my work? How "Surreal" is my work? Wekve all been bunched together, not by what are work says, but by where we have been exhibited

I couldn´t agree more with the last sentence, the movement is comprised of a lot of artist with really different styles, visions and thinking. That´s the thing why I like it most... the heteregoneity and diverse delightful artwork we will find!!!


Oh, and by the way I own this original artwork from him. Buster (graphite on vellum bristol 6″ x 8″)
Like a lot of the original artowrk from Travis Louie, he accompanies the work with a brief story (that usually comes earlier than the painting)



Buster came back from the grave to serenade his wife. His once lovely singing voice became a slow baritone. He sang and dragged his feet in a weary sort of gate for about a year until the townspeople put him out of their misery.

martes, 1 de marzo de 2011

James Jean

"Every portrait that is painted with feeling is a portrait of the artist, not of the sitter"
Oscar Wilde



I am an avid fan first of videogames, then of watching and making movies and afterwards of hearing and playing music with my electric guitar. I keep these hobbies but since three years ago I have really enjoyed a new passion that has stolen my emotions : surrealism pop paintings. James Jean is the artist that first got me attached to the art world. Since I knew of him from his wonderful Fables covers, I have come to know another artists that have really got my heart vibing with the need of another joyful art dose. But as the first girl, the first artist you really appreciate is the one that gets inside you. It is really admirable and incredible that an artist of such a young age has got so really to the roof of artistic creativity and "virtuoso" ability.

James Jean was born in 1979 in Taipei (Taiwan). After graduating in the New York School of Visual Arts where he got to know another brilliant illustrator (Tomer Hanuka), he inmediately got a job working with Ralph Baksi ("Lord of the Rings" animated movie and "Cool World") for some animation shorts that lamentably didn´t make the cut. He did some commercial work for Nike, The New York Times, Playboy magazine and a wonderful animation short for Prada "Trembled Blossoms"

Appart from all these works, the big time for James came when he was contracted to do a Vertigo Comics Covers for "Fables". He has been the only one that has won seven Eisner awards and three consecutive Harvey Awards for cover designer. The best samples of his work there (either finished, black and white or sketches) can be found here.

He has published three magnificent books either for art fans or "wanna-be" artists : the three volumes of Process Recess ( first and second volumes are sold out, you can find the first volume for $200). There is also a Fables covers work recopilation that is really interesting to see most of all because of the process of making the covers, from the black and white sketches to the final cut. I admire more his capability to draw with pencil and get to the more detailed part than his use of colour. If you look at the cover at the left (from Fables 81) it resembles more a fine art painting than an actual comic cover.


His jump to the art world was in the "Kindling" show exhibited in the Johnatan Levine Gallery in New York. How much I would have paid to be in that show and buy at least the worst of his artwork. That show is full of James Jean masterpieces and I think it is his best work to date. I really like the creativity, simplicity, use of colour and emotions it provokes on the spectator. The works that he is producing right now are more intricate and less demanded. I think that he is painting layer after layer after layer until the painting loses its emotion and is so obscure that it doesn´t represent or feel anything. Having said that they are also nice pieces of work to watch. We will have to wait and see his next solo show in "Martha Otero Gallery" to realize if he keeps continuing attracting and evolving in the right way...





And by the way, I am the proud owner of this piece (bought from an intermediary of a James Jean´s show in Brussels) ...


viernes, 14 de enero de 2011

Stealing Emotions

“A painting is as marvelous as the relevance of the stolen emotion that gets inside our heart”


Welcome to Stealing Emotions. This site is going to be the entry door to a wonderful world full of beautiful, intriguing, touching and mesmerising paintings by the most creative, innovative and thought provoking painters. I am really attracted to surrealism pop most of all but I also like animation and comic art. We will have artists profiles, show announcements, previews and also interviews.

I hope you will have a nice time reading this blog and I am looking forward to discovering you new artists and most of all hearing from you... thanks for stopping by!!!